Setup and Shoot: Location Lighting for Challenging Situations

Joe McNally takes his amazing lighting techniques to the kinds of locations that clients ask for in sports, editorial, or commercial photography: outside on an unseasonably chilly Florida day, inside a cramped gym, and down in a mucky swamp. There, he creates some stunning athletic portraits that show you how to manipulate light and capture what can be asked of you in real-life working situations.

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Joe McNally

Release Date: 2011-06-01

Lessons

Setup – Small Flash at Sunset

<p>Joe gets right to the teaching with the trial and error process behind creating a small flash setup for a sunset shoot in daylight balance with a magenta filter and green flashes.</p>

Duration: 7 mins 9 seconds

Shoot &#8211; Small Flash at Sunset

<p>Joe&#039;s model arrives (surprise!) and they begin the process to get the shot. You&#039;ll see how each successive shot brings Joe closer to what he&#039;s envisioned by adapting the setup to suit the subject.</p>

Duration: 8 mins 2 seconds

Setup &#8211; Close, Cramped Quarters

<p>Not all locations are perfect. Joe demonstrates what needs to be done when the shoot takes place in a cramped space like a gym with low dark ceilings, mirrors everywhere and tons of heavy equipment by keeping it simple from the start.</p>

Duration: 6 mins 11 seconds

Shoot &#8211; Close, Cramped Quarters

<p>By working with the subject, Joe sets about to create the shot that gels with both the existing location and the subject&#039;s natural movement to get what he needs in the short time allotted.</p>

Duration: 11 mins 12 seconds

Setup &#8211; Swamp Thing

<p>Inspired by countless editorial requests to bring out the monster in an athletic subject, Joe takes to the swamp to scout out the perfect spot to turn a volleyball player into a muddy, mucky, monstrous Swamp Lady.</p>

Duration: 7 mins 21 seconds

Shoot &#8211; Swamp Thing

<p>Joe tweaks and fixes until the location, light, effects and costuming come together right.</p>

Duration: 10 mins 29 seconds